First off: I just want to say that, with this post, I have now exceeded my posting average of one per year for the last few years. It’s not that I haven’t been working â€” that’s for sure! When I started this blog, I had three little kids. I now have six… so I hope that explains a lot. Over the last two days, I was shooting a series of driver safety videos for AARP which consisted of mostly driving shots. As much as I wanted to shoot the driving scenes with a process trailer like the one pictured (photo courtesy of GripToyz), we had to keep it lower profile because we would be driving in various situations that prohibited it so we ended up shooting off the back of an insert car while towing the picture cars.
Can We Turn On Some Lights?
Last week I was hired to shoot some testimonials for an infomercial. We shot 13 people at a couple of beautiful homes over two days. We shot on the Red Scarlet with Zeiss high-speed primes (f/1.4). I had plenty of light in the lighting package but ended up using hardly anything for these setups. I’m still baffled by what we got and how we got it. The shots were gorgeous and high key; but because of the native 800ISO of the Scarlet, the high speed of the glass, the desire to have soft backgrounds, and the lack of ND filters, I needed to use so little light that it was almost disturbing.
Working on “Vacation”
My wife always says I go on “vacation” when I work. I know what she means. With four young kids and another on the way, parenting can be a challengeâ€”especially when your spouse goes off to work for days or weeks at a time to places you only dream about. In this particular case, I was shooting at La Costa Resort & Spa, a fancy high-end resort in Carlsbad, CA for a series of online fitness coaching vignettes. It was a pretty sweet resort. So it doesn’t help when I post pictures like this on Facebook:
Too Cinematic for an Infomercial?
Last week I had an opportunity to shoot an infomercial for a good friend of mine who I’d never been able to collaborate with before until now. We were shooting some scenes in a domestic environment where the product could be used. About halfway through the first day of the shoot he said to me, “Does this whole thing look too… cinematic?” I retorted, “Is that a problem?” (playful sarcasm runs deeply in our relationship). I suppose I could’ve made it look like an infomercial, but where’s the fun in that? We decided to keep going with it.